Bibliotheca Hertziana - Max Planck Institute for Art History > Call for Papers: After the Middle Ages (Reception, Remnants, Revival): Architecture and Medievalism > Entro 31/03/2024

28/03/2024

“After the Middle Ages” implies both a temporal horizon, extending from the early modern period to the present day and beyond, and responses to the Middle Ages (medievalism). The conference aims to navigate and shine a spotlight on the historical interactions between these responses and architecture, encompassing attitudes towards the medieval built environment, remnants of the Middle Ages, and practices of reception and revival.
Response to the past does not naturally serve as an epistemic point of departure for architectural history. The discipline’s methods lean towards comprehending the pre-existing, often idealised as a coveted “original”, to which subsequent reactions are directed. Since the formalisation of medievalism studies in the 1970s, there has been a notable surge in scholarly attention across various disciplines directed towards responses to the Middle Ages. Medievalism is conspicuously under-theorised within architectural history. Yet, it thoroughly permeates and persistently molds the field’s subject matter, alongside responses to Antiquity. In turn, within the interdisciplinary realm of medievalism studies, architectural history remains relatively underrepresented, garnering less attention in comparison to disciplines such as medieval history and literature. The conference hopes to address these gaps and foster critical discussions surrounding an “architectural history of medievalism”.
An architectural history of medievalism presents the conundrum of grappling with responses to the Middle Ages while diverting emphasis away from the historical medieval era. By taking the medieval as a lens of refraction through which to delve into the post-medieval, this subject matter demands comprehensive acceptance of its variety, complexity, and contradictions. Acknowledging tensions and uncomfortable friction with classicism, alongside intimate connections to broader histories and historiographies, it deals with three central aspects. 

  • Reception: An inherent aspect of an architectural history of medievalism involves how the medieval has been received within architectural theory and historiography. This encompasses diverse perspectives such as critical or eulogistic views towards its visual idioms and material culture. Drawing on the interrelation between architectural historicity and Giorgio Vasari’s reaction to the Gothic suggests that responses to the Middle Ages are positioned at the foundational core of architectural history as a discipline. Simultaneously, reception extends to how medieval architecture has been received in related fields, such as the visual arts or literature.
  • Remnants: Another aspect concerns the afterlives and loss of the medieval built environment in the post-medieval. Interest often centres on its “original” state. An architectural history of medievalism delves into exploring responses to the architecture from the Middle Ages. This exploration acknowledges the built environment’s diachronic nature and comprises dynamic modes of interaction, like preservation, restoration, reworking, and, at its most extreme, annihilation. It also involves practices of medieval survival, continuing enterprises in the post-medieval which follow patterns ascribable to the Middle Ages.
  • Revival: Last but not least, an architectural history of medievalism scrutinises neo-medievalism, the architectural manifestation of medievalism. This represents the architectural revival of the Middle Ages, including, for instance, the post-medieval embodiment of medieval visual idioms like the Gothic Revival, forms of orientalism, as well as medievalities manifested through Modernism and Postmodernism. Neo-medievalism, whether built or unrealised, enduring or temporary (including the ephemeral), extant or lost, illustrates architecture’s distinct capacity to imbue spatial qualities into the resurgence of the medieval.

By elevating facets that have long been undervalued, this conference aims to challenge prevailing biases associated with medievalism: the critical assessment of reception along a spectrum based on its understanding of the actual Middle Ages; the prioritisation of the medieval built environment in its pre-modern state, alongside condemning implications of post-medieval interventions that impact the “original”; and the perception that the medieval holds greater historical significance than the neo-medieval. 
Applications to present a paper in English or Italian are welcomed. Submissions may examine any aspect of an architectural history of medievalism, spanning from reception and remnants of the medieval to its revival, encompassing any geography and time. What are the stakes, modes, and attitudes surrounding the entanglements of architecture and medievalism, historically, theoretically, and historiographically? What responsibilities does architectural history bear in advancing knowledge on responses to the Middle Ages, including their topical resurgence and interaction with the great challenges of our time, within its domain and in relation to other disciplines?
To apply, please submit an abstract of a maximum of 350 words, along with your CV (including any potential affiliation) on the following platform by 31 March 2024https://recruitment.biblhertz.it. Accommodation and travel reimbursement will be available for speakers.

Parole chiave : call - stampa - disegno - grafica - curatela
Focus Istituti e Centri di Formazione
Italian Design Institute Italian Design Institute

Eccellenza nella formazione Docenti d’eccezione Impara dai migliori professionisti!…

24ORE Business School 24ORE Business School

24ORE Business School è la prima scuola di formazione italiana che offre un'ampia…

Artedata Artedata

Artedata è un centro di Alta Formazione che offre corsi dedicati al settore dei…

ISIA Firenze - Industrial & Communication Design ISIA Firenze - Industrial & Communication Design

L'ISIA di Firenze è un istituto pubblico di livello universitario del Ministero…

Tutti gli Istituti
Lavorare nella cultura

Scopri tutte le offerte di lavoro e stage nei settori della Cultura, Media e dell'Insegnamento su profilcultura.it

Focus sui Corsi di Formazione
Corso Annuale di Fotografia - Mastering Photography Fondazione Studio Marangoni

Esplorare il futuro dell’immagine, a partire dai suoi fondamenti storici e materiali,…

Master di II livello in Public History e Historytelling

Master di II livello Il corso si pone l'obiettivo di mappare linguaggi e pratiche,…

Master in Yoga studies - Corpo e meditazione nelle tradizioni dell'Asia Ca' Foscari Challenge School

Master di I livello Il Master prepara i seguenti profili professionali: - Cultori…

Master in Progettazione avanzata dell’insegnamento della lingua e cultura italiane a stranieri Ca' Foscari Challenge School

Master di II livello Le persone formate sono laureati esperti nell'insegnamento…

Master in Fine arts in filmmaking Ca' Foscari Challenge School

Master di I livello Il Master formerà soggetti in grado di svolgere attività di…

Strategie e Marketing per le Imprese del Food and Wine Ca' Foscari Challenge School

Master di I livello. Il Master intende preparare figure professionali con competenze…

Master in Gestione e Innovazione delle Attività Museali Istituto per l'Arte e il Restauro - Palazzo Spinelli

Il Master in Gestione e Innovazione delle Attività Museali rilascia un Diploma in…

Master in Organizzazione degli Eventi Artistici e Culturali Istituto per l'Arte e il Restauro - Palazzo Spinelli

Il Master in Organizzazione degli Eventi Artistici e Culturali rilascia un Diploma…

Graphic Tools - Corso di Specializzazione IED Torino

Il corso di Specializzazione in Graphic Tools fornisce una preparazione completa…

Art Direction in Advertising - Corso di Specializzazione IED Roma

Il Corso sviluppa o potenzia le abilità fondamentali per la figura dell’Art Director,…

Master in Visual Design and Communication Raffles Milano

Attestato Raffles Imparare a fare e a pensare: con il Master in Visual design gli…

Master in Product & Interior Design Raffles Milano

Attestato Raffles Un percorso per sperimentare un approccio multidisciplinare nel…

Tutti i Corsi di Formazione